Friday, Sept. 30, 3pm in Fine Arts Center Gallery.
Reception Afterwards.
Her show is up until Oct. 21.
erinharmon.com
Monday, September 26, 2011
ERIN HARMON
Erin Harmon Artist Talk!
Friday, Sept. 30, 3pm in Fine Arts Center Gallery.
Reception Afterwards.
Her show is up until Oct. 21.
erinharmon.com
Friday, Sept. 30, 3pm in Fine Arts Center Gallery.
Reception Afterwards.
Her show is up until Oct. 21.
erinharmon.com
Sunday, September 25, 2011
1043 - Drawing 2 - Interiors
Here are three artists that know their way around the interior: Norman Lundin, Vilhelm Hammershoi, Debra Bermingham
Saturday, September 17, 2011
3063 - Powers of Observation
Hey Painting 1 class -
Powers of Observation is a GREAT blog dedicated to observational painting. Check out this post of still life paintings. See if you can determine which are painted directly and which are painted indireclty:
Powers of Obeservation: Still Life
Dik Liu
Powers of Observation is a GREAT blog dedicated to observational painting. Check out this post of still life paintings. See if you can determine which are painted directly and which are painted indireclty:
Powers of Obeservation: Still Life
Dik Liu
3063 Syllabus - Fall 2011
ART 3063: PAINTING
Fall 2011 – 3 Credit Hours, CRN: 61827
Section 001: MWF 10am - 11:50am, Fine Arts Building – 104
Instructor: John Norris, Assistant Professor of Art
Office Hours: M: 9-10am W: 9-10am F: 9-10am
E-mail: jnorris@astate.edu Phone: 972-3050 ext. 3755
Blog: norrisartclass.blogspot.com
COURSE DESCRIPTION: STUDIO ART. Introduction to composition and techniques in painting media. It is expected that students will spend a minimum of three additional clock hours per week on work outside the scheduled class time for each studio class. Students enrolled in the BFA programs must pass the BFA Review prior to enrollment in 4000 ART courses. Prerequisites, ART 1013, ART 1033, ART 1043.
STUDENT LEARNING OUTCOMES: Skills will be developed through technical exercises in class and homework assignments employing these techniques. The homework will allow students an opportunity to use their acquired skills creatively and to build off of the techniques they have learned in class. This is a STUDIO CLASS; one which requires that students be actively involved in daily exercises and contribute during critiques. Thus, students must be present and punctual in order to fully participate. By the end of the course, students will be well versed in the fundamental techniques and applications of oil painting, and will gain experience with a variety of subject matter.
ATTENDANCE & CLASS PARTICIPATION: All late work will be counted off 10 points (aka one letter grade) for each class period late. For example: if your work merits a 93 but is 2 class periods late, then your grade will be a 73. Participation counts as 25% of your grade and is based on the following considerations: 1. Being present, punctual, and prepared for class 2. Focus on and completion of exercises during class 3. Participation during critiques, discussions, and dialogues. After 3 absences, 5 points will be subtracted from your participation grade for each class missed. 10 points will automatically be deducted from your final participation grade if you miss the Final Critique.
GRADING: Grading will be based on assignments (which will be submitted in portfolio form), and class participation. The portfolios will make up 75% of your grade, and class participation will make up 25%.
A: 90 - 100% B: 80 - 89% C: 70 - 79% D: 60 - 69% F: 0 - 59%
Portfolio grades will be based on the following elements: 1) Indications that the student has understood the assignment and is employing its specific techniques. 2) a sense of quality showing that the students has invested a significant amount of time and focus into the assignment. 3) The overall success of the final image based on formal elements (composition, line quality, sense of light & volume, etc.) as well as creativity. AGAIN, TURNING IN ASSIGNMENTS LATE AUTOMATICALLY REDUCES YOUR GRADE. IF YOU ARE CONFUSED ABOUT GRADING, FEEL FREE TO ASK QUESTIONS.
COURSE OUTLINE: We will be covering a wide range of introductory techniques and processes associated with the act of oil painting, from the very beginning stages of preparing a surface, through the various approaches of building a surface and developing an image, and finally to the end stages of presentation and documentation. In doing so, we will perform short-term formal exercises in class, create long-term multi-session paintings, and you will be given ambitious homework projects.
1. We will discuss a new concept and do several exercises based
on this idea. We may also do readings and/or have slide talks.
2. We will do one or more extended paintings connected to the concept.
3. We will work on extended paintings outside of class that may take up
to 2/3 weeks to complete.
4. We will critique the work and its relation to the concept as a class.
CLASS STRUCTURE (subject to change):
Painting – Materials – Preparing a surface
Painting – Still Life – Short Term Monochromatic Paintings – Transparent
Painting – Still Life – Short Term Grisaille Paintings – Opaque
Painting – Stilll Life – Short Term Direct Paintings – Transparent/Opaque
Painting – Still Life – Long Term Still Life with Underpainting
Painting – Portrait – Long Term Portraits with Underpainting
Painting – Portrait – Shorth Term Direct Portraits
Painting – Portrait – Self Portrait
Painting – Landscape – Short Term Landscape Paintings
Painting – Landscape – Long Term Landscape Paintings
(Landscape will be optional based on time and weather constraints)
Painting – Final Project
YOU WILL BE WORKING OUTSIDE OF CLASS VERY MUCH. BE PREPARED TO COME INTO THE CLASS ROOM OUTSIDE OF CLASS AND TO WORK ON DRAWINGS AT HOME.
BOOK / BLOG: There is no textbook required for this class. Handouts will occasionally be made available. Students will usually receive additional info, image examples, assignment specifications, and portfolio details via the following blog:
NORRISARTCLASS.BLOGSPOT.COM
You will be expected to check this regularly as part of your class participation. THE BLOG SERVES AS A SUPPLEMENT; IT IS NOT A SUBSTITUTE FOR BEING IN CLASS.
MATERIALS: Students will be required to purchase the following materials. Most materials can be found at the ASU Bookstore, Hobby Lobby, and hardware stores. You might also do well to just go online and make an order to acquire your materials: dickblick.com, aswexpress.com, danielsmith.com, etc.
PAINT (Windsor & Newton Winton Oil Colors are recommended):
-Burnt Sienna, 200ml -Titanium White, 200ml
-Yellow Ochre, 200ml -French Ultramarine, 200ml
-Alizarin Crimson, 200ml -Viridian Hue, 200ml
-Burnt Umber, 200ml -Sap Green, 37 ml
-Cadmium Yellow Hue, 37ml -Cadmium Red Hue, 37ml
-Ivory Black, 37ml -Light Red, 37ml
Optional:
-Raw Umber, 37ml -Pthalo Blue, 37ml
-Chromium Oxide, 37ml -Naples Yellow Hue, 37ml
TOOLS
-Mixing Knife -Razor Blade and holder
-Paper Towels -Solvent and Medium Holders (2)
-Bar of Soap -Toolbox for Materials
-Turpenoid or ODORLESS Mineral Spirits (at least 1 liter)
BRUSHES:
Oil Bristle Brushes: #2, 4, 8, (12 is optional): filbert or flat style brushes
SURFACES:
You will be required to regularly provide surfaces on which to paint. They will generally be primed masonite and canvas. We will discuss acquiring and preparing these surfaces in class.
AT THE BEGINNING OF THE SEMESTER, CERTAIN MATERIALS WILL BE PROVIDED FOR YOU (GESSO, MEDIUM)). YOU WILL HAVE TO REPLACE THESE MATERIALS INDIVIDUALLY AS THEY RUN OUT. WE WILL DISCUSS THE PURCHASE OF OTHER MATERIALS FOR INDIVIDUAL PROJECTS AS WE PROCEED.
Fall 2011 – 3 Credit Hours, CRN: 61827
Section 001: MWF 10am - 11:50am, Fine Arts Building – 104
Instructor: John Norris, Assistant Professor of Art
Office Hours: M: 9-10am W: 9-10am F: 9-10am
E-mail: jnorris@astate.edu Phone: 972-3050 ext. 3755
Blog: norrisartclass.blogspot.com
COURSE DESCRIPTION: STUDIO ART. Introduction to composition and techniques in painting media. It is expected that students will spend a minimum of three additional clock hours per week on work outside the scheduled class time for each studio class. Students enrolled in the BFA programs must pass the BFA Review prior to enrollment in 4000 ART courses. Prerequisites, ART 1013, ART 1033, ART 1043.
STUDENT LEARNING OUTCOMES: Skills will be developed through technical exercises in class and homework assignments employing these techniques. The homework will allow students an opportunity to use their acquired skills creatively and to build off of the techniques they have learned in class. This is a STUDIO CLASS; one which requires that students be actively involved in daily exercises and contribute during critiques. Thus, students must be present and punctual in order to fully participate. By the end of the course, students will be well versed in the fundamental techniques and applications of oil painting, and will gain experience with a variety of subject matter.
ATTENDANCE & CLASS PARTICIPATION: All late work will be counted off 10 points (aka one letter grade) for each class period late. For example: if your work merits a 93 but is 2 class periods late, then your grade will be a 73. Participation counts as 25% of your grade and is based on the following considerations: 1. Being present, punctual, and prepared for class 2. Focus on and completion of exercises during class 3. Participation during critiques, discussions, and dialogues. After 3 absences, 5 points will be subtracted from your participation grade for each class missed. 10 points will automatically be deducted from your final participation grade if you miss the Final Critique.
GRADING: Grading will be based on assignments (which will be submitted in portfolio form), and class participation. The portfolios will make up 75% of your grade, and class participation will make up 25%.
A: 90 - 100% B: 80 - 89% C: 70 - 79% D: 60 - 69% F: 0 - 59%
Portfolio grades will be based on the following elements: 1) Indications that the student has understood the assignment and is employing its specific techniques. 2) a sense of quality showing that the students has invested a significant amount of time and focus into the assignment. 3) The overall success of the final image based on formal elements (composition, line quality, sense of light & volume, etc.) as well as creativity. AGAIN, TURNING IN ASSIGNMENTS LATE AUTOMATICALLY REDUCES YOUR GRADE. IF YOU ARE CONFUSED ABOUT GRADING, FEEL FREE TO ASK QUESTIONS.
COURSE OUTLINE: We will be covering a wide range of introductory techniques and processes associated with the act of oil painting, from the very beginning stages of preparing a surface, through the various approaches of building a surface and developing an image, and finally to the end stages of presentation and documentation. In doing so, we will perform short-term formal exercises in class, create long-term multi-session paintings, and you will be given ambitious homework projects.
1. We will discuss a new concept and do several exercises based
on this idea. We may also do readings and/or have slide talks.
2. We will do one or more extended paintings connected to the concept.
3. We will work on extended paintings outside of class that may take up
to 2/3 weeks to complete.
4. We will critique the work and its relation to the concept as a class.
CLASS STRUCTURE (subject to change):
Painting – Materials – Preparing a surface
Painting – Still Life – Short Term Monochromatic Paintings – Transparent
Painting – Still Life – Short Term Grisaille Paintings – Opaque
Painting – Stilll Life – Short Term Direct Paintings – Transparent/Opaque
Painting – Still Life – Long Term Still Life with Underpainting
Painting – Portrait – Long Term Portraits with Underpainting
Painting – Portrait – Shorth Term Direct Portraits
Painting – Portrait – Self Portrait
Painting – Landscape – Short Term Landscape Paintings
Painting – Landscape – Long Term Landscape Paintings
(Landscape will be optional based on time and weather constraints)
Painting – Final Project
YOU WILL BE WORKING OUTSIDE OF CLASS VERY MUCH. BE PREPARED TO COME INTO THE CLASS ROOM OUTSIDE OF CLASS AND TO WORK ON DRAWINGS AT HOME.
BOOK / BLOG: There is no textbook required for this class. Handouts will occasionally be made available. Students will usually receive additional info, image examples, assignment specifications, and portfolio details via the following blog:
NORRISARTCLASS.BLOGSPOT.COM
You will be expected to check this regularly as part of your class participation. THE BLOG SERVES AS A SUPPLEMENT; IT IS NOT A SUBSTITUTE FOR BEING IN CLASS.
MATERIALS: Students will be required to purchase the following materials. Most materials can be found at the ASU Bookstore, Hobby Lobby, and hardware stores. You might also do well to just go online and make an order to acquire your materials: dickblick.com, aswexpress.com, danielsmith.com, etc.
PAINT (Windsor & Newton Winton Oil Colors are recommended):
-Burnt Sienna, 200ml -Titanium White, 200ml
-Yellow Ochre, 200ml -French Ultramarine, 200ml
-Alizarin Crimson, 200ml -Viridian Hue, 200ml
-Burnt Umber, 200ml -Sap Green, 37 ml
-Cadmium Yellow Hue, 37ml -Cadmium Red Hue, 37ml
-Ivory Black, 37ml -Light Red, 37ml
Optional:
-Raw Umber, 37ml -Pthalo Blue, 37ml
-Chromium Oxide, 37ml -Naples Yellow Hue, 37ml
TOOLS
-Mixing Knife -Razor Blade and holder
-Paper Towels -Solvent and Medium Holders (2)
-Bar of Soap -Toolbox for Materials
-Turpenoid or ODORLESS Mineral Spirits (at least 1 liter)
BRUSHES:
Oil Bristle Brushes: #2, 4, 8, (12 is optional): filbert or flat style brushes
SURFACES:
You will be required to regularly provide surfaces on which to paint. They will generally be primed masonite and canvas. We will discuss acquiring and preparing these surfaces in class.
AT THE BEGINNING OF THE SEMESTER, CERTAIN MATERIALS WILL BE PROVIDED FOR YOU (GESSO, MEDIUM)). YOU WILL HAVE TO REPLACE THESE MATERIALS INDIVIDUALLY AS THEY RUN OUT. WE WILL DISCUSS THE PURCHASE OF OTHER MATERIALS FOR INDIVIDUAL PROJECTS AS WE PROCEED.
1043 Syllabus - Fall 2011
ART 1043 : DRAWING 2
Fall 2011 – 3 Credit Hours CRN: 61843
Section 001: MWF 1pm - 2:50pm, Art Annex 209
Instructor: John Norris, Assistant Professor of Art
Office Hours: M:12-1pm T:10am-12pm W:12-1pm F:12-1pm
E-mail: jnorris@astate.edu Phone: 972-3050 ext. 3755
Blog: norrisartclass.blogspot.com
COURSE DESCRIPTION: ART 1043 - DRAWING II - STUDIO ART. Continuation of ART 1033. Students become more skilled with visual elements and drawing principles. A broader range of materials and techniques will be used. Subject matter will include still life, undraped life models, landscape, and imagined subjects. It is expected that students will spend a minimum of three additional clock hours per week on work outside the scheduled class time for each studio class. Additionally, the Art Major Core must be completed prior to the BFA Review. Students enrolled in the BFA programs must pass the BFA Review prior to enrollment in 4000 ART courses. Prerequisite, ART 1033.
STUDENT LEARNING OUTCOMES: Like Drawing 1, skills will be developed through technical exercises in class and homework assignments employing these techniques. The homework will allow students an opportunity to use their acquired skills creatively and to build off of the techniques they have learned in class. This is a STUDIO CLASS; one which requires that students be actively involved in drawing exercises and contribute during critiques. Thus, students must be present and punctual in order to fully participate. By the end of the course, students will have built upon their core understanding of principles gained in Drawing 1 and expanded their range of subject matter and technical ability.
ATTENDANCE & CLASS PARTICIPATION: More than 6 absences will result in a grade of F for the course. All late work will be counted off 10 points (aka one letter grade) for each class period late (Example: if your work merits a 93 but is 2 class periods late, then your grade will be a 73). Participation counts as 25% of your grade and is based on the following considerations: 1. Being present, punctual, and prepared for class 2. Focus on and completion of exercises during class 3. Participation during critiques, discussions, and dialogues. After 3 absences, 5 points will be subtracted from your participation grade for each class missed. 10 points will automatically be deducted from your final participation grade if you miss the final critique.
GRADING: Grading will be based on assignments (which will be submitted in portfolio form), your sketchbook, and class participation. The portfolios will make up 50% of your grade, and your sketchbook and class participation will each make up 25%.
A: 90 - 100% B: 80 - 89% C: 70 - 79% D: 60 - 69% F: 0 - 59%
Portfolio and sketchbook grades will be based on the following elements: 1) Indications that the student has understood the assignment and is employing its specific techniques. 2) a sense of quality showing that the students has invested a significant amount of time and focus into the assignment. 3) The overall success of the final image based on formal elements (composition, line quality, sense of light & volume, etc.) as well as creativity. AGAIN, TURNING IN ASSIGNMENTS LATE AUTOMATICALLY REDUCES YOUR GRADE. IF YOU ARE CONFUSED ABOUT GRADING, FEEL FREE TO ASK QUESTIONS.
COURSE OUTLINE: We will be investigating several concepts that were covered in Drawing 1 and building upon them, Furthermore we will be introducing new concepts such as the figure, new materials, new ways of understanding line, etc. In doing so, we will follow a pattern through which students will gain understanding of concepts, learn to put them to practice, and ultimately combine them to create successful drawings:
1. We will discuss a new concept and do several exercises based
on this idea. We may also do readings and/or have slide talks.
2. We will do a series of more extended drawings connected to the concept.
3. We will do a series of sketchbook drawings to further investigate.
4. We will work on an extended drawing inside/outside class that may take up
to 2/3 weeks to complete.
5. We will critique the work and its relation to the concept as a class.
CLASS STRUCTURE (subject to change):
Perspective Refresher – Conceptual & Observational Exercises – Still Life
Value Refresher – Value Scale / Value Shape Exercises – Still Life
Space – Interior – Sketchbook
Space – Interior – Homework
Space – Exterior – Sketchbook
Space – Exterior - Homework
Repetition - Homework
Head – Skeleton Studies – Bridgman Anatomy / Proportion
Head – Gesture – Geometric forms
Head – Anatomy / Proportion – Bridgeman Sketchbook
Head – Self Portrait – Line / Value – Sketchbook
Head – Portrait in Interior Space
Head – Double Portrait
Open Final Project
YOU WILL BE WORKING OUTSIDE OF CLASS VERY MUCH. BE PREPARED TO COME INTO THE CLASS ROOM OUTSIDE OF CLASS AND TO WORK ON DRAWINGS AT HOME.
BOOK / BLOG: Students are required to purchase the following text:
Constructive Anatomy by George Bridgman (Dover) Soft Cover - 7.95
We will do regular readings from the book, and students will be expected to have the text with them at all times during class. Handouts will also occasionally be made available. However, students will usually receive additional info, image examples, assignment specifications, and portfolio details via the following blog:
NORRISARTCLASS.BLOGSPOT.COM
You will be expected to check this regularly as part of your class participation. The blog will serve as a supplement; not as a substitute for being in class.
MATERIALS: Students will be required to purchase the following materials. Most materials can be found at the ASU Bookstore and the Wolf Bookstore. Some will be available at Hobby Lobby and various hardware stores.
-9x12 Sketchbook (preferably Strathmore)
-18x24 pad of Strathmore Drawing Paper (preferably 400 series)
-18x24 pad of Newsprint
-drawing board with clips: a 25 x 28 piece of masonite will work
-vine or willow (soft is best) charcoal
-conte crayon: black, white, sanguine
-sandpaper for charcoal sharpening
-compressed charcoal
-shammy cloth
-gray kneaded eraser and white Factis-type eraser
-graphite pencils: 2H, HB, 2B, 4B
-pencil sharpener
-small box to contain materials
WE WILL DISCUSS THE PURCHASE OF OTHER MATERIALS FOR INDIVIDUAL PROJECTS AS WE PROCEED.
Fall 2011 – 3 Credit Hours CRN: 61843
Section 001: MWF 1pm - 2:50pm, Art Annex 209
Instructor: John Norris, Assistant Professor of Art
Office Hours: M:12-1pm T:10am-12pm W:12-1pm F:12-1pm
E-mail: jnorris@astate.edu Phone: 972-3050 ext. 3755
Blog: norrisartclass.blogspot.com
COURSE DESCRIPTION: ART 1043 - DRAWING II - STUDIO ART. Continuation of ART 1033. Students become more skilled with visual elements and drawing principles. A broader range of materials and techniques will be used. Subject matter will include still life, undraped life models, landscape, and imagined subjects. It is expected that students will spend a minimum of three additional clock hours per week on work outside the scheduled class time for each studio class. Additionally, the Art Major Core must be completed prior to the BFA Review. Students enrolled in the BFA programs must pass the BFA Review prior to enrollment in 4000 ART courses. Prerequisite, ART 1033.
STUDENT LEARNING OUTCOMES: Like Drawing 1, skills will be developed through technical exercises in class and homework assignments employing these techniques. The homework will allow students an opportunity to use their acquired skills creatively and to build off of the techniques they have learned in class. This is a STUDIO CLASS; one which requires that students be actively involved in drawing exercises and contribute during critiques. Thus, students must be present and punctual in order to fully participate. By the end of the course, students will have built upon their core understanding of principles gained in Drawing 1 and expanded their range of subject matter and technical ability.
ATTENDANCE & CLASS PARTICIPATION: More than 6 absences will result in a grade of F for the course. All late work will be counted off 10 points (aka one letter grade) for each class period late (Example: if your work merits a 93 but is 2 class periods late, then your grade will be a 73). Participation counts as 25% of your grade and is based on the following considerations: 1. Being present, punctual, and prepared for class 2. Focus on and completion of exercises during class 3. Participation during critiques, discussions, and dialogues. After 3 absences, 5 points will be subtracted from your participation grade for each class missed. 10 points will automatically be deducted from your final participation grade if you miss the final critique.
GRADING: Grading will be based on assignments (which will be submitted in portfolio form), your sketchbook, and class participation. The portfolios will make up 50% of your grade, and your sketchbook and class participation will each make up 25%.
A: 90 - 100% B: 80 - 89% C: 70 - 79% D: 60 - 69% F: 0 - 59%
Portfolio and sketchbook grades will be based on the following elements: 1) Indications that the student has understood the assignment and is employing its specific techniques. 2) a sense of quality showing that the students has invested a significant amount of time and focus into the assignment. 3) The overall success of the final image based on formal elements (composition, line quality, sense of light & volume, etc.) as well as creativity. AGAIN, TURNING IN ASSIGNMENTS LATE AUTOMATICALLY REDUCES YOUR GRADE. IF YOU ARE CONFUSED ABOUT GRADING, FEEL FREE TO ASK QUESTIONS.
COURSE OUTLINE: We will be investigating several concepts that were covered in Drawing 1 and building upon them, Furthermore we will be introducing new concepts such as the figure, new materials, new ways of understanding line, etc. In doing so, we will follow a pattern through which students will gain understanding of concepts, learn to put them to practice, and ultimately combine them to create successful drawings:
1. We will discuss a new concept and do several exercises based
on this idea. We may also do readings and/or have slide talks.
2. We will do a series of more extended drawings connected to the concept.
3. We will do a series of sketchbook drawings to further investigate.
4. We will work on an extended drawing inside/outside class that may take up
to 2/3 weeks to complete.
5. We will critique the work and its relation to the concept as a class.
CLASS STRUCTURE (subject to change):
Perspective Refresher – Conceptual & Observational Exercises – Still Life
Value Refresher – Value Scale / Value Shape Exercises – Still Life
Space – Interior – Sketchbook
Space – Interior – Homework
Space – Exterior – Sketchbook
Space – Exterior - Homework
Repetition - Homework
Head – Skeleton Studies – Bridgman Anatomy / Proportion
Head – Gesture – Geometric forms
Head – Anatomy / Proportion – Bridgeman Sketchbook
Head – Self Portrait – Line / Value – Sketchbook
Head – Portrait in Interior Space
Head – Double Portrait
Open Final Project
YOU WILL BE WORKING OUTSIDE OF CLASS VERY MUCH. BE PREPARED TO COME INTO THE CLASS ROOM OUTSIDE OF CLASS AND TO WORK ON DRAWINGS AT HOME.
BOOK / BLOG: Students are required to purchase the following text:
Constructive Anatomy by George Bridgman (Dover) Soft Cover - 7.95
We will do regular readings from the book, and students will be expected to have the text with them at all times during class. Handouts will also occasionally be made available. However, students will usually receive additional info, image examples, assignment specifications, and portfolio details via the following blog:
NORRISARTCLASS.BLOGSPOT.COM
You will be expected to check this regularly as part of your class participation. The blog will serve as a supplement; not as a substitute for being in class.
MATERIALS: Students will be required to purchase the following materials. Most materials can be found at the ASU Bookstore and the Wolf Bookstore. Some will be available at Hobby Lobby and various hardware stores.
-9x12 Sketchbook (preferably Strathmore)
-18x24 pad of Strathmore Drawing Paper (preferably 400 series)
-18x24 pad of Newsprint
-drawing board with clips: a 25 x 28 piece of masonite will work
-vine or willow (soft is best) charcoal
-conte crayon: black, white, sanguine
-sandpaper for charcoal sharpening
-compressed charcoal
-shammy cloth
-gray kneaded eraser and white Factis-type eraser
-graphite pencils: 2H, HB, 2B, 4B
-pencil sharpener
-small box to contain materials
WE WILL DISCUSS THE PURCHASE OF OTHER MATERIALS FOR INDIVIDUAL PROJECTS AS WE PROCEED.
3033 Syllabus - Fall 2011
ART 3033: DRAWING 3 – FIGURE DRAWING
Fall 2011 – 3 Credit Hours, CRN: 61844
Section 001: MWF 3pm - 4:50pm, Fine Arts 104
Instructor: John Norris, Assistant Professor of Art
Office Hours: M: 9-10am W: 9-10am F: 9-10am
E-mail: jnorris@astate.edu Phone: 972-3050 ext. 3755
Blog: norrisartclass.blogspot.com
COURSE DESCRIPTION: Continuation of development of drawing skills and concepts. Students at this level should have well developed drawing skills and good understanding of drawing principles. Undraped life models will be provided. It is expected that students will spend a minimum of three additional clock hours per week on work outside the scheduled class time for each studio class. Students enrolled in the BFA programs must pass the BFA Review prior to enrollment in 4000 ART courses. Prerequisites, ART 1013, ART 1023, ART 1033 and 1043, ARTH 2583, ARTH 2593. May be repeated for credit.
STUDENT LEARNING OUTCOMES: Like Drawing 1 & 2, skills will be developed through technical exercises in class and homework assignments employing these techniques. The homework will allow students an opportunity to use their acquired skills creatively and to build off of the techniques they have learned in class. This is a STUDIO CLASS; one which requires that students be actively involved in drawing exercises and contribute during critiques. Thus, students must be present and punctual in order to fully participate. By the end of the course, students will be well versed in various aspects of drawing the human form, including gesture, anatomy, and proportion.
ATTENDANCE & CLASS PARTICIPATION: All late work will be counted off 10 points (aka one letter grade) for each class period late. For example: if your work merits a 93 but is 2 class periods late, then your grade will be a 73. Participation counts as 25% of your grade and is based on the following considerations: 1. Being present, punctual, and prepared for class 2. Focus on and completion of exercises during class 3. Participation during critiques, discussions, and dialogues. After 3 absences, 5 points will be subtracted from your participation grade for each class missed. 10 points will automatically be deducted from your final participation grade if you miss the Final Critique.
GRADING: Grading will be based on assignments (which will be submitted in portfolio form), your sketchbook, and class participation. The portfolios will make up 50% of your grade, and your sketchbook and class participation will each make up 25%.
A: 90 - 100% B: 80 - 89% C: 70 - 79% D: 60 - 69% F: 0 - 59%
Portfolio and sketchbook grades will be based on the following elements: 1) Indications that the student has understood the assignment and is employing its specific techniques. 2) a sense of quality showing that the students has invested a significant amount of time and focus into the assignment. 3) The overall success of the final image based on formal elements (composition, line quality, sense of light & volume, etc.) as well as creativity. AGAIN, TURNING IN ASSIGNMENTS LATE AUTOMATICALLY REDUCES YOUR GRADE. IF YOU ARE CONFUSED ABOUT GRADING, FEEL FREE TO ASK QUESTIONS.
COURSE OUTLINE: We will be investigating several concepts that were covered in Drawing 1 & 2 and building upon them. Furthermore, we will fully investigate the figure in terms of anatomy, movement, process, and concept. In doing so, we will perform short-term formal exercises in class, create long-term multi-session drawings, and you will be given ambitious homework projects involving the figure.
1. We will discuss a new concept and do several exercises based
on this idea. We may also do readings and/or have slide talks.
2. We will do a series of more extended drawings connected to the concept.
3. We will do a series of sketchbook drawings to further investigate.
4. We will work on extended drawings inside/outside class that may take up
to 2/3 weeks to complete.
5. We will critique the work and its relation to the concept as a class.
CLASS STRUCTURE (subject to change):
Figure – Skeleton Studies – Bridgman Anatomy / Proportion
Figure – Master Studies – Sketchbook
Figure – Value – Self-Portrait
Figure – Gesture – Blind Contour - Moveable Masses
Figure – Anatomy / Proportion – Bridgman Sketchbook
Figure – Moveable Masses – Large Scale: Craft
Figure – Anatomical Studies – Head, Trunk - Sketchbook
Figure – Self Portrait – Line / Value – Sketchbook
Figure – Contour / Cross-Contour – Large Scale: Craft
Figure – Anatomical Limb Studies – Arms - Sketchbook
Figure – Anatomical Limb Studies – Legs - Sketchbook
Figure – Portrait in Interior – Large Scale
Figure – Value – Large Scale: Arches
Figure – Figure in Motion Studies – Large Scale: Craft
Figure – Figure/Motion/Space Studies – Large Scale: Craft
Figure – Multi-Figure Narrative Drawing – Large Scale
YOU WILL BE WORKING OUTSIDE OF CLASS VERY MUCH. BE PREPARED TO COME INTO THE CLASS ROOM OUTSIDE OF CLASS AND TO WORK ON DRAWINGS AT HOME.
BOOK / BLOG: Students are required to purchase the following text:
How to Draw the Human Figure: An Anatomical Approach
by Louis Gordon
We will do regular readings from the book, and students will be expected to have the text with them at all times during class. Handouts will also occasionally be made available. However, students will usually receive additional info, image examples, assignment specifications, and portfolio details via the following blog:
NORRISARTCLASS.BLOGSPOT.COM
You will be expected to check this regularly as part of your class participation. THE BLOG SERVES AS A SUPPLEMENT;
IT IS NOT A SUBSTITUTE FOR BEING IN CLASS.
MATERIALS: Students will be required to purchase the following materials. Most materials can be found at the ASU Bookstore and the Wolf Bookstore. Some will be available at Hobby Lobby and various hardware stores.
-9x12 Sketchbook (preferably Strathmore)
-18x24 pad of Strathmore Drawing Paper (preferably 400 series)
-18x24 pad of Newsprint
-drawing board with clips: approx. 30 x 40
-vine or willow (soft is best) charcoal
-conte crayon: black, white, sanguine
-sandpaper for charcoal sharpening
-compressed charcoal
-shammy cloth
-gray kneaded eraser and white Factis-type eraser
-graphite pencils: 2H, HB, 2B, 4B
-pencil sharpener
-small box to contain materials
WE WILL DISCUSS THE PURCHASE OF OTHER MATERIALS FOR INDIVIDUAL PROJECTS AS WE PROCEED.
Fall 2011 – 3 Credit Hours, CRN: 61844
Section 001: MWF 3pm - 4:50pm, Fine Arts 104
Instructor: John Norris, Assistant Professor of Art
Office Hours: M: 9-10am W: 9-10am F: 9-10am
E-mail: jnorris@astate.edu Phone: 972-3050 ext. 3755
Blog: norrisartclass.blogspot.com
COURSE DESCRIPTION: Continuation of development of drawing skills and concepts. Students at this level should have well developed drawing skills and good understanding of drawing principles. Undraped life models will be provided. It is expected that students will spend a minimum of three additional clock hours per week on work outside the scheduled class time for each studio class. Students enrolled in the BFA programs must pass the BFA Review prior to enrollment in 4000 ART courses. Prerequisites, ART 1013, ART 1023, ART 1033 and 1043, ARTH 2583, ARTH 2593. May be repeated for credit.
STUDENT LEARNING OUTCOMES: Like Drawing 1 & 2, skills will be developed through technical exercises in class and homework assignments employing these techniques. The homework will allow students an opportunity to use their acquired skills creatively and to build off of the techniques they have learned in class. This is a STUDIO CLASS; one which requires that students be actively involved in drawing exercises and contribute during critiques. Thus, students must be present and punctual in order to fully participate. By the end of the course, students will be well versed in various aspects of drawing the human form, including gesture, anatomy, and proportion.
ATTENDANCE & CLASS PARTICIPATION: All late work will be counted off 10 points (aka one letter grade) for each class period late. For example: if your work merits a 93 but is 2 class periods late, then your grade will be a 73. Participation counts as 25% of your grade and is based on the following considerations: 1. Being present, punctual, and prepared for class 2. Focus on and completion of exercises during class 3. Participation during critiques, discussions, and dialogues. After 3 absences, 5 points will be subtracted from your participation grade for each class missed. 10 points will automatically be deducted from your final participation grade if you miss the Final Critique.
GRADING: Grading will be based on assignments (which will be submitted in portfolio form), your sketchbook, and class participation. The portfolios will make up 50% of your grade, and your sketchbook and class participation will each make up 25%.
A: 90 - 100% B: 80 - 89% C: 70 - 79% D: 60 - 69% F: 0 - 59%
Portfolio and sketchbook grades will be based on the following elements: 1) Indications that the student has understood the assignment and is employing its specific techniques. 2) a sense of quality showing that the students has invested a significant amount of time and focus into the assignment. 3) The overall success of the final image based on formal elements (composition, line quality, sense of light & volume, etc.) as well as creativity. AGAIN, TURNING IN ASSIGNMENTS LATE AUTOMATICALLY REDUCES YOUR GRADE. IF YOU ARE CONFUSED ABOUT GRADING, FEEL FREE TO ASK QUESTIONS.
COURSE OUTLINE: We will be investigating several concepts that were covered in Drawing 1 & 2 and building upon them. Furthermore, we will fully investigate the figure in terms of anatomy, movement, process, and concept. In doing so, we will perform short-term formal exercises in class, create long-term multi-session drawings, and you will be given ambitious homework projects involving the figure.
1. We will discuss a new concept and do several exercises based
on this idea. We may also do readings and/or have slide talks.
2. We will do a series of more extended drawings connected to the concept.
3. We will do a series of sketchbook drawings to further investigate.
4. We will work on extended drawings inside/outside class that may take up
to 2/3 weeks to complete.
5. We will critique the work and its relation to the concept as a class.
CLASS STRUCTURE (subject to change):
Figure – Skeleton Studies – Bridgman Anatomy / Proportion
Figure – Master Studies – Sketchbook
Figure – Value – Self-Portrait
Figure – Gesture – Blind Contour - Moveable Masses
Figure – Anatomy / Proportion – Bridgman Sketchbook
Figure – Moveable Masses – Large Scale: Craft
Figure – Anatomical Studies – Head, Trunk - Sketchbook
Figure – Self Portrait – Line / Value – Sketchbook
Figure – Contour / Cross-Contour – Large Scale: Craft
Figure – Anatomical Limb Studies – Arms - Sketchbook
Figure – Anatomical Limb Studies – Legs - Sketchbook
Figure – Portrait in Interior – Large Scale
Figure – Value – Large Scale: Arches
Figure – Figure in Motion Studies – Large Scale: Craft
Figure – Figure/Motion/Space Studies – Large Scale: Craft
Figure – Multi-Figure Narrative Drawing – Large Scale
YOU WILL BE WORKING OUTSIDE OF CLASS VERY MUCH. BE PREPARED TO COME INTO THE CLASS ROOM OUTSIDE OF CLASS AND TO WORK ON DRAWINGS AT HOME.
BOOK / BLOG: Students are required to purchase the following text:
How to Draw the Human Figure: An Anatomical Approach
by Louis Gordon
We will do regular readings from the book, and students will be expected to have the text with them at all times during class. Handouts will also occasionally be made available. However, students will usually receive additional info, image examples, assignment specifications, and portfolio details via the following blog:
NORRISARTCLASS.BLOGSPOT.COM
You will be expected to check this regularly as part of your class participation. THE BLOG SERVES AS A SUPPLEMENT;
IT IS NOT A SUBSTITUTE FOR BEING IN CLASS.
MATERIALS: Students will be required to purchase the following materials. Most materials can be found at the ASU Bookstore and the Wolf Bookstore. Some will be available at Hobby Lobby and various hardware stores.
-9x12 Sketchbook (preferably Strathmore)
-18x24 pad of Strathmore Drawing Paper (preferably 400 series)
-18x24 pad of Newsprint
-drawing board with clips: approx. 30 x 40
-vine or willow (soft is best) charcoal
-conte crayon: black, white, sanguine
-sandpaper for charcoal sharpening
-compressed charcoal
-shammy cloth
-gray kneaded eraser and white Factis-type eraser
-graphite pencils: 2H, HB, 2B, 4B
-pencil sharpener
-small box to contain materials
WE WILL DISCUSS THE PURCHASE OF OTHER MATERIALS FOR INDIVIDUAL PROJECTS AS WE PROCEED.
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